Current (online)
Sean Randolph
Can’t See the Forest for the Trees
Gallery Platform Los Angeles
Online from June 10, 2021
Sean Randolph, Three Pigeons of the Sea, 2019, Wood, paint, plaster cloth, fabric, aluminum foil, string, and latex
Sean Randolph (b. 1986) is a storyteller whose work demonstrates his rare amalgam of humor, anxiety, and solicitude. His enchanting works are curious abstractions of epic allegories and mundane observations. Before his MFA at ArtCenter College of Design in 2020, Sean received an MFA in Creative Writing at San Diego State University in 2012. For this presentation with Gallery Platform Los Angeles, O-Town House is pleased to present a selection from both mediums.
Pigeons of the sea
Four seagulls float
over the bluff the last
one in-line, in-visible
tethered aft. The frontal
gull imagines the tertiary
gull saying to secondary
gull as she yawns,
No charge for that one,
this it is fully tax deductible.
The fourth gull is actually
an albatross and the tether
a string of humming birds—
tongue to leg, tongue to leg
tongue to wing, tongue to neck.
This aviary dental floss’ got
pounds of tension on these
leathery pigeon toes. Peer
at the pigeons of the sea
for they are the knots in the trees
with wings like banana leaves.
Please let me hug you
tall bird, the tallest of trees.
Sean Randolph, Champy and Nessie Learn to Swim, 2020, Ink and watercolor on paper, 33 x 24 inches
Telemarketers envision vacation time at the lake
Roadrunner, if I could have a hairdo
like you I’d smash all the glass
in my house and not clean it up
for a week and three quarters
of a day’s pay in quarters
but I can’t do that do here
camped under the rain fly
and closing my mouth
from sidewinders who search for
the warm tent
of my throat.
Sean Randolph, A Drawing of Muchness, 2020, Ink, gouache, and watercolor on paper, 60 x 42 inches
“Artists have been depicting the cacophony that is Noah’s ark for centuries. From Brueghel to Hicks, each artist has their own take. This depiction favors the animals and their independence. A monkey works the crane as a gorilla gently nestles a cat. The humans, terrified, retreat for the roof to avoid the stampede.” - SR
Sean Randolph, !?, 2020, Ink, gouache, and watercolor on paper, 60 x 42 inches
“Birth, life, and death. This drawing depicts an alternate ending to the story of Noah’s ark. One in which Noah’s kids fashion his coffin from the body of the ship in their sprawling vineyard. Noah is surprised to see his coffin being made so early, the cat watches on with curiosity, and Noah’s daughter-in-law saws through a board. She makes sure to measure twice and cut once.” - SR
Sean Randolph, I’m cutting you down because your time’s up, 2020, Ink, gouache, and watercolor on paper, 60 x 42 inches
“The title for this piece comes from Ingmar Bergman’s The Seventh Seal (1957). It is what death says before he cuts down the tree Skat is hiding in sending him to plummet to his death. Death surrounds this piece. Implied in this work is the fact that Noah was the original clear cutting lumberjack paving the way for all of the problems we have today stemming from deforestation." - SR
The future is a week
from tomorrow’s good guess
Cryogenically freeze
my eyes please.
Shellac them to
save them from
alligatoring. Remove
them from my body
while I paw at pawns
with my feet. Keep
my eyes asleep so they
can only answer questions
on my dividends with silence.
Sean Randolph, One-hundred and Eighty Months Left, 2020, Basswood, acrylic, watercolor, string, and paper, 9 x 12 inches
Hover above
Sometimes I wish I could fake levitation
while lying next to you in bed. Levitation
like some great leviathan breeching above
the ocean but with slight of hand instead.
Sean Randolph, Untitled, 2020, Ink on paper, 31 x 45 inches
How many Holsteins have I drank milk from?
And above my grave
will stand a butter sculpture
of my head and Adam’s apple,
that walnut, neck grown
as the hair on my ears
burlapped, son and let the crows
come serpent tongues thwapping
let them call long distance
to the cactus wrens, let them enter
the canister of my brain. When we trance
we find we were walking
to the sea with weights of smog
in our pockets.