Current (online)
Sean Randolph
Can’t See the Forest for the Trees
Gallery Platform Los Angeles
Online from June 10, 2021
Sean Randolph (b. 1986) is a storyteller whose work demonstrates his rare amalgam of humor, anxiety, and solicitude. His enchanting works are curious abstractions of epic allegories and mundane observations. Before his MFA at ArtCenter College of Design in 2020, Sean received an MFA in Creative Writing at San Diego State University in 2012. For this presentation with Gallery Platform Los Angeles, O-Town House is pleased to present a selection from both mediums.
Pigeons of the sea
Four seagulls float
over the bluff the last
one in-line, in-visible
tethered aft. The frontal
gull imagines the tertiary
gull saying to secondary
gull as she yawns,
No charge for that one,
this it is fully tax deductible.
The fourth gull is actually
an albatross and the tether
a string of humming birds—
tongue to leg, tongue to leg
tongue to wing, tongue to neck.
This aviary dental floss’ got
pounds of tension on these
leathery pigeon toes. Peer
at the pigeons of the sea
for they are the knots in the trees
with wings like banana leaves.
Please let me hug you
tall bird, the tallest of trees.
Telemarketers envision vacation time at the lake
Roadrunner, if I could have a hairdo
like you I’d smash all the glass
in my house and not clean it up
for a week and three quarters
of a day’s pay in quarters
but I can’t do that do here
camped under the rain fly
and closing my mouth
from sidewinders who search for
the warm tent
of my throat.
The future is a week
from tomorrow’s good guess
Cryogenically freeze
my eyes please.
Shellac them to
save them from
alligatoring. Remove
them from my body
while I paw at pawns
with my feet. Keep
my eyes asleep so they
can only answer questions
on my dividends with silence.
Hover above
Sometimes I wish I could fake levitation
while lying next to you in bed. Levitation
like some great leviathan breeching above
the ocean but with slight of hand instead.
How many Holsteins have I drank milk from?
And above my grave
will stand a butter sculpture
of my head and Adam’s apple,
that walnut, neck grown
as the hair on my ears
burlapped, son and let the crows
come serpent tongues thwapping
let them call long distance
to the cactus wrens, let them enter
the canister of my brain. When we trance
we find we were walking
to the sea with weights of smog
in our pockets.